Jun 18, 2019
Celebrating Michaelina Wautier
This Doodle’s Key Themes
Today’s Doodle celebrates the Belgian artist Michaelina Wautier, born 415 years ago. Although many of Michaelina’s paintings were once misattributed to other artists, including her own brother, she’s now known as “Baroque’s leading lady.”
On this day last year, the definitive monograph on Wautier’s work was published by two institutions in Antwerp—Rubenshuis and Museum aan de Stroom—who also collaborated to showcase the first-ever Wautier retrospective, an exhibition of some 30 works that shed new light on “mysterious Michaelina.” Contemporaries of Flemish masters like Rubens and Van Dyck, Michaelina and her younger brother Charles Wautier grew up in a well-to-do family, moving around 1640 from their birthplace of Mons to Brussels, where they lived in a stately townhouse near the Kappellekerk. Neither sibling married, devoting themselves to painting.
While researching her brother, art historian Pierre-Yves Kairis discovered Michaelina’s work, struck by her mastery of portraiture, historical paintings, and genre pieces during a time when female painters were, as he put it, “at best tolerated for painting flowers.” During her lifetime, she impressed prominent patrons like Archduke Leopold-Willem, who collected four of her paintings.
Her large-scale work The Triumph of Bacchus, widely considered her masterpiece, offers a glimpse of the artist’s personality. Michaelina painted herself into the scene, disguised as a half-naked bacchante, staring boldly at the viewer without apology.
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